Tag Archives: Healy Guitars

Raymond’s Fall 2011 Tour Journal

While I don’t get out on the road nearly as often as I’d like, it seems that for the last few years, I’ve been able to tour with some regularity… and though I normally relish these trips as an opportunity to be alone with my thoughts and tunes on the sometimes long drives between gigs, my last three outings have been cooperative tours with other musicians, which is really the more interesting way to go. This time out, I had the good fortune to spend a week with Chuck Johnson, in my opinion one of the coolest players recording today.  Chuck had secured a small arts grant and was hitting the road to promote A Struggle, Not A Thought, his debut solo LP on the Strange Attractors Audio House label.  I’ve been following Chuck’s music ever since his appearance last year on the amazing Beyond Berkeley Guitar compilation, and was really excited to spend some quality time with the man, exploring each others perspectives on our tool of choice, the steel-strung acoustic guitar.  Throw in our mutual friend Trevor Healy, not only a talented luthier but a fantastic fingerpicker in his own right, and we had ourselves a week-long guitar bro-down of epic proportions!  Having interviewed both men for the release of BBG, I knew that they would be thoughtful and intelligent travelling partners, and alas the short time we spent playing shows together passed far too quickly.

For me, this particular trip started with a whimper: having played a house party the night before and getting to bed in the 3am area, I was not able to rise in time to catch my 7am Megabus from Pittsburgh to New York City, where I was supposed to meet up with Chuck and Trevor to start my leg of the tour.  I wasn’t actually on the bill in NYC, but was planning to concentrate on getting photos and videos for this here blog, and I was looking forward to visiting the Zebulon venue for the first time.   As it was, it gave me an extra day to pack properly and to practice, which was welcome… but it also meant that I’d have to figure out how I planned to get from Pittsburgh to Cambridge the next day for our gig at Zuzu.  I decided to rent the tiniest car that Budget offered (and my budget afforded), which turned out to be a Chevy Aveo.  Tiny it was, for my dreadnought case didn’t even fit in the trunk!  It mattered little, though, since I’d be leaving the car in Boston and travelling in Chuck’s rental the rest of the trip.  I spent that grey, rainy Monday traversing Pennsylvania, New Jersey, New York, and finally gunning it across the Mass Pike to get to the gig with a little time to spare. Continue reading

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“Beyond Berkeley Guitar” Interview : Trevor Healy

by Raymond Morin

Trevor Healy is a guitarist, repairman and luthier based in the San Francisco Bay area. In addition to playing in the group Meridians, Trevor composes for solo acoustic guitar, and was tapped by Sean Smith for the new Beyond Berkeley Guitar collection, out now on Tompkins Square. We recently talked to Trevor about his appearance on the comp, as well as his approach to building and playing the guitar.

W&W: Please describe the guitar you play on your track, how long you’ve owned it, where you got it.

The guitar is a Stella 12-string, made by Harmony sometime in the 1960’s. I got it on EBay about 6 years ago after becoming interested in Leadbelly’s 12-string playing. When the box arrived, I realized that the guitar had not been taken out of its case since the 60’s, but needed a ton of work to make it a playable instrument. Like many Harmony guitars, its body is made of plywood and the neck is poplar, which some consider low-grade materials. It’s light weight and darker tone spoke to me though, and I thought it had some real potential to become a decent instrument. So, I re-set the neck for proper bridge and action height, made a new bridge and saddle, radiused the previously flat fingerboard and re-fretted it. Acoustically it is pretty quiet and has an almost lute-like tone. I have come to love this quality. I then put in an under-saddle piezo pickup to amplify the sound in live situations. When I first plugged in the guitar, I was blown away by its tone. I have played it almost exclusively since then. Continue reading