Tag Archives: Imaginational Anthem

Review : Cian Nugent “Doubles” LP/CD (VHF Records, 2011)

cian_DoublesI first became aware of Dubliner Cian Nugent when his solo guitar contributions to Imaginational Anthem Volume Three and We Are All One, in the Sun: Tribute to Robbie Basho appeared in back-to-back years.¹  Both recordings evidence clean, confident playing and command of the freeform, open-tuned style that continues to prevail in today’s acoustic guitar underground.  Cian’s debut album, Doubles, was released earlier this year by VHF Records, joining a recent string of excellent guitar-oriented albums issued by the label, including Jesse Sparhawk & Eric Carbonara’s Sixty Strings and Alexander Turnquist’s Hallway of Mirrors.

One cannot help but ponder the meaning of the album’s title, “doubles.”  Simply stated, it is a symmetrical work, in that it pairs together two side-long pieces that mirror one another structurally and musically.  On both sides, series of improvised passages comprise two primary movements that repeat, resulting in a loose, “ABAB” form. Additionally, for each work Nugent establishes a vocabulary of intervals and melodic phrases built from adjacent tones and half-tones.  The resulting “duplicitous” voicings provide the album’s primary musical themes as well as the constant sensation of push and pull. I could go on!  Let’s just say the “doubles” motif gives the work a dimension beyond pure emotion, which I found somewhat unique for a freeform guitar album. Continue reading

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Interview : David Surette

davidsurette3Earlier this year, Work & Worry received a CD from David Surette, a fantastic instrumentalist and songwriter who resides up in Maine. Surette is my kind of picker : equal parts British folk revival, country blues, ragtime and traditional… well, that’s not totally true, his playing at times actually leans a little bit more to the British school than most American fingerpickers, which I guess is what I really love about it!

The performances on Sun Dog, all done in a single evening on a single microphone, are absolutely impeccable. All eight tracks feature clean, confident picking and a finely honed sense of composition, structure and ornamentation. It’s the kind of accomplished, out of nowhere record that is not only a joy to listen to, but makes a guitarist want to up his or her game… from the John Renbourn-esque “A Lot of Sir John” and “Cold Rain” to the feel-good raggin’ blues of “Frog’s Legs” and “Ukelele Stomp”,  Sun Dog is easily one of the best guitar recordings I’ve heard in a long time.

Surette’s liner notes on the CD do a fine job of describing the inception of these songs, and he also denotes the tunings… so I wanted to talk to Surette more about some of his perspectives on guitars, playing, and some of his influences.

W&W : Calling David Surette.. David, are you there?

Hey man, how’s it going?

W&W : Very well, how are you?

Good, it’s a beautiful day in the neighborhood.

W&W : Let’s talk about where you are and where you’ve been. You seem to have extremely strong ties to the music scene up in Maine… have you always lived in that part of the world? Where were you when your interest in guitar first developed, and what did you concentrate on when you were first starting out?

Well, I grew up in northern New Hampshire in the mountains, North Conway, which is right on the border with Maine. So I’ve always been a NH/ME kind of guy. I moved down to this area when I was going to college at UNH, from ’81-’85, and ended up sticking around. There’s a good local music scene here, and it’s close to a lot of other great spots, like Boston and Portland.

I started to play guitar when I was 14, and I’m 47 now.  I started out on electric and acoustic, mostly ’60s-’70s rock. I loved blues-rock, too, and rootsy stuff like The Dead, The Band, The Allmans, so I got into the blues and folk stuff that way, like checking out this guy Robert Johnson that the Stones were covering. I’m probably like a lot of other folks in that regard. I got into fingerpicking in college. Continue reading

Dual Review : The Acoustic Guitar Forum “Hand Made Music” CD (2010) and “Imagination Anthem Vol. 4” CD/LP (Tompkins Square, 2010)

by Raymond Morin

This review will be the first time that I’ve covered two releases in one piece of writing. Oftentimes when I’m reading a music magazine and come across a “combined review” I get just a little irritated, usually expecting one album or the other to get shortchanged, or that the writer must not have felt that either recording was important enough to warrant its own review.  I can assure you that in this case, both releases are equally deserving of discussion.  I’ve decided to review them together not because of their similarities (though those will be touched upon) but for their differences, which I find to be very interesting indeed. Continue reading