Tag Archives: Fingerstyle

“Beyond Berkeley Guitar” Interview : Chuck Johnson

Chuck Johnson is based in Oakland, CA. In addition to writing scores for film and dance, Chuck has worked extensively in the fields of modern composition and experimental rock, and also composes very fine acoustic guitar instrumentals. We recently interviewed Chuck about his appearance on the new Tompkin’s Square compilation Beyond Berkeley Guitar, which features new music from seven Bay Area guitarists.  Chuck’s track is available as a free download at the link above.

W&W : Please describe the guitar you play on your track, how long you’ve owned it, where you got it.

It’s a 2001 Martin 000-17s. I bought it new in ’01 or ’02 from Elderly, after playing one at a local store (I lived in North Carolina at the time.) The 000-17s is an all mahogany guitar with the older Martin 000 design – 12-fret body, slotted headstock, longer scale and wider neck. It is really fun to play and has a melancholy voice that works well on certain pieces, especially in the open D tunings. Martin ended up only making a couple hundred of them for some reason, and I have played the 000-15s that looks identical and is still available, but it has different bracing and just doesn’t have the same mojo in my opinion. Like any mahogany top guitar it takes a little more work to get the top moving, but I love how the mid-high overtones sing out when you drive it, kind of a lower register than what you might expect from a spruce top. Continue reading

Review : Sean Smith “Eternal” CD (Strange Attractors Audio House, 2010)

by David Leicht

Last month, Strange Attractors Audio House reissued Sean Smith’s terrific album, Eternal.¹  Where Sean’s prior recordings: the self-titled LP, Sacred Crag Dance, Corpse Whisperer, and contributions to Berkeley Guitar, established him at the forefront of the underground solo guitar scene, Eternal reveals him to be a gifted arranger as well.  Most of the album finds Smith in ensemble with combinations of Adam Snider, Fletcher Tucker and Angela Hsu on stringed instruments (violin, mountain dulcimer, banjo, etc) and Spencer Owen on percussion (claves, sandpaper blocks, drum kit, etc).  As with his solo work, Sean takes on a number of different folk styles, and the ensembles allow him to superimpose a variety of textures.  The result is an album that is as entertaining as it is challenging, which cannot always be said of offerings from even the most talented instrumentalists. Continue reading

Review : Jack Rose & Glenn Jones “The Things That We Used To Do” DVD (Strange Attractors Audio House, 2010)

by Raymond Morin

The late Jack Rose and his good friend Glenn Jones have established worldwide reputations as standard-bearers in the modern instrumental guitar movement, and here at Work & Worry, we’ve always tried to give them their due.  In the months since Rose’s untimely death, there has been a flood of new Jack-related releases:  his fantastic full length album, a six-plus hour, digital-only tribute collection, and an upcoming EP featuring D.Charles Speer… a lot to take in, and at this website, we haven’t had the easiest time keeping pace.  Heck, I think I would’ve been satisfied with just the excellent Brickbat Books Bootlegs posted by Delta Slider a little while back! But I think that I can say with some confidence that the most indispensable artifact from this important era in underground acoustic guitar music might be this wonderful DVD from Strange Attactors Audio House. Continue reading

Review : Toby Walker “Speechless… for once” CD (Little Toby Records, 2010)

By Raymond Morin

Somehow, I had never heard of “Little” Toby Walker before his new CD arrived in my mailbox.  When I opened the envelope, though, I was delighted to find out that Walker had been led to me by a mutual friend, Mr. Denis Turbide, and I decided to give the disc my utmost attention.  I could surmise from the packaging that the man has good taste in guitars: there are a couple of handsome Huss & Dalton models featured, one on the cover and one on the inside panel, and Walker indeed plays an H&D OM, along with a couple of National guitars, on these recordings.  It was also readily apparent from the album title (and the bound-and-gagged cover portrait) that Walker has a sense of humor about himself, which immediately endeared me to him…  a lot of us young guitar-slingers definitely take ourselves way too seriously!  All of this, combined with a few familiar rags and fingerstyle-guitar showpieces peppered into the tracklist,  led me to assume that Mr. Walker probably knows his way around 6 strings…  and though that assumption proved correct, my opinions regarding this disc are mixed. Continue reading

Yair Yona Signs To Strange Attractors!

Work & Worry would like to congratulate both artist and label on this match made in heaven… Israeli guitarist, blogger, and all around musical champion Yair Yona has signed to the great Strange Attractors Audio House label, who will release his excellent album Remember on LP, CD and MP3 this August!

Check out our recent interview with Yair Yona here.