Category Archives: Articles

Interview : Guitar Maker Laurent Brondel

by Buck Curran

Like a lot of relationships these days, Laurent Brondel and I began talking through the internet, and our first conversations were about guitar making. We initially agreed to meet at an open mic that my wife Shanti and I were hosting in Lewiston in 2006, and have been friends ever since. Laurent is an amazing musician, master craftsman, and supremely talented guitar maker. His instruments are gorgeous and inspirational, and his aesthetic and sound are uniquely his own.  It was a pleasure to officially interview him for Work & Worry.

W&W : You are originally from France. Where did you grow up and in brief, what is your musical background?

I grew up in Paris and spent a lot of time with my grandparents in rural Picardie, 100 miles east of Paris.  Nobody played or listened to music in my family, but when I was around 5 or 6, I insisted to get Beethoven 5th symphony, don’t ask me why. My Godmother bought me the 6th, the Pastorale, maybe the store was out of the 5th, who knows? I had to wait a year to get an old tube record player from the ’60s, the ones with the speaker in the cover. My father’s Godmother gave it to me. So the Godmothers were really active and involved in my family. Continue reading

Interview : Catching Up With Denis Turbide

W&W : It’s been about a year since your first interview on Work & Worry.  What have you been up to since then? How’s life treating you?

Life’s been really busy, Ray.  I wish I could say I’ve been busy making more music, but a full time job and young children aren’t always conducive to a musician’s lifestyle!  I just need to find a better balance. That being said, I am trying to move the music thing along.

I reconnected with Alana Mark, an old friend from high school.  Facebook is amazing sometimes!  We’re writing songs together, which is new to me.  I’ve always been a singer, but lyrics have always escaped me.  We’ve started recording together, and have a couple of videos on Youtube. We still have a lot of work to do.  We’ve both been really busy this summer, so I’m looking forward to getting together with her in the near future.

There is a CD compilation, by the members of the Acoustic Guitar Forum, that came out last fall.  There’s another one coming out in August.  I wrote a new tune, which I recorded and released just a few weeks ago, called “Squish”.   I have a friend using my music in his Youtube videos to promote his T-shirt company.  Another music library has offered to add my music to their roster for use in TV and movies.   Youtube is still going strong, and a couple of guitarists out there have decided they like my music enough to cover it in their own videos, which is nice and still a bit surprising to me.  I guess I have been kind of busy. Continue reading

“Beyond Berkeley Guitar” Interview : Sean Smith

By Raymond Morin

Well, here we are at the end of “Beyond Berkeley Guitar” Week.  I really hope you’ve enjoyed our interviews with all of the great guitarists involved in the project.  Today, we finish up with Sean Smith, producer and curator of both the original Berkeley Guitar collection, as well as Beyond Berkeley Guitar, which is out now on Tompkins Square. Sean has developed quite a reputation as a leading light in the new solo guitar movement, and we tend to agree… his full length album Eternal got a great review on this very website, and from talking to many of his Bay area contemporaries (as well as the man himself) I’ve come away with the image of an ambitious and talented, yet warm and friendly young guitarist, truly an asset to the Berkeley guitar scene, and for that matter, to the world of music in general.  Sean’s solo “Ourselves When We Are Real” is the centerpiece of Beyond Berkeley Guitar, and in it’s nearly 12 minutes, covers many moods and techniques. Continue reading

“Beyond Berkeley Guitar” Interview : Lucas Boilon

by Raymond Morin

We’re entering the home-stretch of our series of interviews around the new Tompkins Square compilation Beyond Berkeley Guitar. Today we talk to Lucas Boilon, whose track “Studies of the Oak as Pertaining to Druidic Rites of Passage” is one of my favorites from the collection.

W&W : Please describe the guitar you play on your track, how long you’ve owned it, where you got it

It’s a Gibson Blueridge Custom that my father gave to me when I moved back to California. It’s not super fancy, just a nice sounding, working-man’s guitar. I think my pops got it in ’73 sometime, and gave it to me in 2003. It’s fantastic and I love it.

W&W : What is the tuning / capo position (if any) on your track?

I tune to Drop D for one half and open D for the other. I haven’t really ever used a capo proper-style. Continue reading

“Beyond Berkeley Guitar” Interview : Chuck Johnson

Chuck Johnson is based in Oakland, CA. In addition to writing scores for film and dance, Chuck has worked extensively in the fields of modern composition and experimental rock, and also composes very fine acoustic guitar instrumentals. We recently interviewed Chuck about his appearance on the new Tompkin’s Square compilation Beyond Berkeley Guitar, which features new music from seven Bay Area guitarists.  Chuck’s track is available as a free download at the link above.

W&W : Please describe the guitar you play on your track, how long you’ve owned it, where you got it.

It’s a 2001 Martin 000-17s. I bought it new in ’01 or ’02 from Elderly, after playing one at a local store (I lived in North Carolina at the time.) The 000-17s is an all mahogany guitar with the older Martin 000 design – 12-fret body, slotted headstock, longer scale and wider neck. It is really fun to play and has a melancholy voice that works well on certain pieces, especially in the open D tunings. Martin ended up only making a couple hundred of them for some reason, and I have played the 000-15s that looks identical and is still available, but it has different bracing and just doesn’t have the same mojo in my opinion. Like any mahogany top guitar it takes a little more work to get the top moving, but I love how the mid-high overtones sing out when you drive it, kind of a lower register than what you might expect from a spruce top. Continue reading